2007 |
|
|
SCUM OF THE EARTH
Sleaze Freak
Eclipse Records
2007
"Former Rob Zombie guitarist Riggs returns with the follow-up
to his 2004 debut Blah…Blah…Blah…This time around
he’s packing more ferocious riffs, more pounding drums, and more
scum anthems than ever before. If the dark and powerful music doesn’t
grab you, then the gothic sexual imagery will. As much I enjoy Rob
Zombie, I have to admit that Riggs does Zombie better than Rob does."
--George Dionne
  out
of 5
Review for Scum of the
Earth - Blah...Blah...Blah (2004) |
|
THE HIVES
The Black and White Album
A & M Records
2007
"I was never a big fan of The Hives, but something about the
marking of The Black and White album caught my interest. The whole
film noir feeling of the album cover and promotional materials peaked
my curiosity. A key placement of the lead single “Tick, Tick,
Boom” as the theme for World Wrestling Entertainment’s
Survivor Series didn’t hurt either. The catchy hook burned into
my brain with each listen.
Well, that’s where it ends folks!
The rest of the album is pure “flavor of the month” garbage.
Their rock meets emo meets 70s British underground sound wears thin
really fast. Oh sure, prominent rock magazines eat this crap up, but
they’ve been out of touch for years. Take my word for it; one
more album for The Hives…then they’re done."
--George Dionne
out
of 5
|
|
SO THEY SAY
Life in Surveillance
Fearless Records
2007
"I can’t really say that I didn’t like this album.
So They Say definitely craft some catchy and melodic tunes, but they
don’t really have a sound of their own. What I mean by that is;
they sound like a lot of bands on their own label (and I’ve reviewed
quite a bit from Fearless). It’s almost like they’re following
a blue print. If I heard them on the radio (or the internet - cause
God knows radio doesn’t show love to indie labels) I certainly
couldn’t say, “Oh, this is So They Say.” Granted,
it’s they’re first album. They do show potential to do
better."
5 Questions with So They Say
--George Dionne
out
of 5
|
|
HOLLER, WILD ROSE
Our Little Hymnal
Black Light
Records
2007
"If you’d like to hear some great 60s-70s throwback, jam
band style rock n roll, than look no further than Holler, Wild Rose.
The energy level never breaks mellow on Our Little Hymnal, but if you’re
just laying back reminiscing about the good old days of peace, love,
and happiness, then let this one set the soundtrack."
5 Questions with
Holler, Wild Rose
--George Dionne
out
of 5
|
|
SHE WANTS REVENGE
This is Forever
Perfect Kiss/Geffen
Records
2007
"I never thought I would hear such a dark tale of love, loss,
revenge, and redemption on a major record label. The haunting gothic
tones and twisted and tortured vocals are a breath of fresh air in
an industry filled with whining three-chorders. I don’t know
where She Wants Revenge came from, but I hope they’re here to
stay."
--George Dionne
out
of 5
|
|
ANOTHER ANIMAL
S/T
Universal Republic
2007
"Despite the fact Another Animal is comprised of members of Godsmack
and Ugly Kid Joe, the group manages to create a classic sound all their
own that falls somewhere between Alice in Chains and Soundgarden."
--George Dionne
out
of 5
|
|
VAN MORRISON
Still on Top: The Greatest Hits
Hip-O
2007
"40 years of hits crammed onto one CD. That’s mighty impressive.
I have never claimed to be the biggest Van Morrison follower, but even
I can recognize numerous tracks on this one. “Gloria,” Brown
Eyed Girl,” “Wild Night,” “Jackie Wilson Said,” “Have
I Told You Lately?,” and “Days Like This” are only
a few of the 21 career spanning favorites. There are many Van Morrison
hits packages out there, but this one boasts recent favorites as well.
Overall it’s not too shabby for the casual Morrison listener,
but I would have to imagine, with a career so vast, that longtime fans
consider more than 21 songs to be the greatest."
--George Dionne
out
of 5
|
|
STARZ
Greatest Hits Live
MVD Entertainment
Group
2007
"The live collection of the 70’s rockers greatest hits
seems to capture the band in fine form. The CD is compiled from at
least 3 different performances and while I found the sound to be adequate
to mediocre, the quality of their material does seem to shine through.
While I wouldn’t put the band in my own personal Top 10 of 1970’s
rockers, they are pretty good. I think it is a shame I wasn’t musically
aware in the 70’s because I probably would have liked the band. They’ve
got a lively and energetic sound tied to that particular era and it does keep
the ears engaged, even during the first half of the disc where the quality of
the recording isn’t even as good as some bootlegs I’ve listened to
over the years.
The audio quality is the biggest problem I had with the entire
disc. I think if you are going to reissue this type of album, you really need
to make the sound more presentable than what a typical bootlegger could accomplish.
You want to check out tracks like “Detroit Girls”, “Any Way
That You Want It”, and “Cherry Baby” in particular, but surprisingly
at least to me, each song is pretty good.
If you like the 70’s rock era, you probably know of the band. You’ll
definitely like this release. If you, like me, weren’t really into music
when you were less than 10 years old, Greatest Hits Live provides a look back
to a time when hard rock was in the infancy stage of what the genre has become
today."
-- Jay Roberts
out
of 5
Review for Starz - Back
In Action DVD (2006) |
|
KMFDM
Tohuvabohu
Metropolis
Records 2007
"German experimental group KMFDM have always been one of those
groups that have been pigeon-holed into a specific genre, when in reality,
they are so much more. For the most part, when people here their name
they think techno music. Yes, the drums are programmed, but a lot of
their music is guitar and vocal hook driven. “Superpower” is
a perfect example of that.
“Looking for Strange” send the
guitars to the background while emphasizing the vocal hook. “I
Am What I Am” is quite anthemic, while Saft und Kraft” is
frantic and scatter-brained. “Not in My Name” treads Nine
Inch Nails territory in sound. “Spit or Swallow” makes
a clever political statement. Tohuvabohu may not be a pure rock record,
but if your looking to mix it up a bit, it’s going to deliver
the same punch and electricity."
--George Dionne
out
of 5 |
|
ADEMA
Kill the Headlights
Adema Partnership
2007
"One has to wonder how many singers Adema will go through before
packing it up. On the positive side of things, the group gets more
and more melodic with each new vocalist. That’s not to say that
the group doesn’t still drive home some heavy riffs and beats
on Kill the Headlights. They also continue to write some of their best
songs lyrically. However, the group comes from a time when they were
lumped together with other alternative/nu-metal artists.
As time goes
on, despite breaking away from that sound, people will still remember
them for that. And each time they change vocalists, it will diminish
exactly who Adema is and sounds like. It may be better for the group
to start back up as something new and fresh and try to sell these
songs that way, then trying to ride a name that’s slowly starting to
represent nothing solid and constant."
--George Dionne
out
of 5
Review for Adema - Planets (2005) |
|
LIBERTY N' JUSTICE
Independence Day
LNJ Records
2007
"Liberty N’ Justice mastermind Justin Murr rounds up a
who’s who from the eighties metal scene once again to spread
the word of Jesus Christ through hard rock music. And that’s
not a bad thing.
Once you get past the awful John Corabi track “Doubting
Thomas,” you are in for quite a treat (there’s a reason
he hasn’t worked out as a vocalist in other bands). Artists like
Jack Russell (“Monkey Dance”), Kelly Keagey & Mark
Slaughter (“Soldier’), Pete Loran (“Phoenix”),
and Ted Poley (“Praying for a Miracle”) give such great
performances, you’ll be baffled as to why they’re not still
in the mainstream today.
I did have to chuckle a bit when Jani Lane
performed on a track called “Addiction.” I think he was
able to add a little bit of personal experience to that one. All jokes
aside, a great album with a positive message. We all need to be reminded
sometimes that there is a power greater than us, and that good and
bad things all happens for a reason. " --George Dionne
out
of 5
Review for Liberty
N' Justice - Sdtrk of a Soul (2006) |
|
SONATA ARCTICA
Unia
Nuclear Blast Records
2007
"The musical pace is definitely on the high energy fast paced
side, but “The Harvest” and “Fly With The Black Swan” are
the only songs that resonate with any signs of life. Otherwise the
album comes off as some very bloodless, cold and antiseptic prog metal."
-- Jay Roberts
out
of 5 |
|
A SHORELINE DREAM
Coastal EP
Latenight Weeknight Records
2007
"The EP opens with tranquil rhythms, soothing melodies, and just
enough guitar distortion on Ukraine. The track reminds you of a long
walk on a sunset beach. The songs that follow, “The Barrier” & “New
York,” have a darker more haunting feel to them. More like a
stranger in a strange land. The final track “Aftershock” returns
to the same concepts as the opener. Overall, Costal is a brief journey
into musical serenity."
--George Dionne
out
of 5 |
|
THE LOVING LOSS
You Could Kill EP
Self-Released
2007
"This seven track EP displays some great guitar tones, but is
literally destroyed by the vocalist whining and screeching his way
through the lyrics. At some points he pulls off a melody, but it’s
with the help of electronic enhancements."
--George Dionne
out
of 5 |
|
PHONOGRAPH
Hiawatha Talking Machine EP
Red Ghost Music
2007
"If Tom Petty were a progressive artist, he’d probably
sound like Phonograph. On their latest EP the group infuses smooth
vocals with acoustic guitars, and even throws in a string section here
and there. “Charles Bircher” and “Plates on Sticks” tend
to stand out above the rest with their killer instrumental outros."
--George Dionne
out
of 5 |
|
PALE OBSESSION
Songs of Love and Death
Self-Released
2006
"You almost feel trapped in a frightening horror movie and the
piercing keyboards pulse throughout “Between the Shadows.” Haunting
vocals only make it more and more obvious that there is no light at
the end of the tunnel. “The Lovers Die” is just as dark
and ominous. “Kiss the Sky” is melody driven despite its
depressing lyrical content.
“Tomorrow Must Be More” is
vocalist Joe May’s last glimmer of hope in a world of despair.
Somebody give this band a record deal! They could give H.I.M. a run
for the money on the gothic rock scene. The EP only down fall is its
too damn short."
--George Dionne
out
of 5 |
|
EVERY AVENUE
AH! EP
Fearless Records
2007
"“One More Song” is catchy as hell with its pop-rock
rhythms and melodic vocals. The chorus is sure to rattle around in
your head. Driving rhythms is pounding drums tend to dominate “Where
Were You.” Electronic keyboards enhance the heartbreaking track “Nothing.” “Getting
Out” keeps the energy flowing with hooks and melody galore. If
Every Avenue could continue what they have put forth into a full album,
I would buy it in an instant."
--George Dionne
out
of 5 |
|
SCHOOLYARD HEROES
Abominations
Stolen Transmission
2007
"Every horror movie fan knows that the big budget movies are
not where it’s at. It’s the horror B-Movies that give you
more blood for your dollar. Yeah, they’re short on plot, but
delivery the more gore per minute. If there was such a thing as “B” Music,
then Schoolyard Heroes would be on the top of the list. Hell, Abominations could be the soundtrack to many of B-movies I’ve seen.
The lyrics
are twisted, tortured, and filled with plenty of gory visions. The
music is high-energy for the most part, with a few dark and slow
entries. The female vocals fit the whole horror experience since it’s
the woman doing all the screaming. The song titles are ridiculous,
but the overall product is a frightening and powerful experience."
--George Dionne
out
of 5 |
|
ALTER BRIDGE
Blackbird
Universal Republic
2007
"Let’s face it, the first Alter Bridge album was pretty
much a clone of Creed. With most of the band being members of that
group, it wasn’t hard to see that would be the result. However,
a few years have past and the group returns with their sophomore effort
Blackbird. The first few riffs of the opening track “Ties That
Bind” let you know that this group is putting Creed behind them.
The riffs are darker, the music is heavier, yet the positive messages
stay the same. It took me till the middle of the album to really
get into it. “Before Tomorrow Comes,” “Rise Today,” and “Blackbird” really
define the album. Myles Kennedy’s vocals are gritty, powerful,
and soulful, while guitarist Mark Tremonti is simply on fire."
--George Dionne
out
of 5 |
|
H.I.M.
Venus Doom
Sire Records
2007
"It seems the more and more “Americanized” H.I.M.
is becoming (what I mean by that is the more promotion they are receiving
in the U.S.), the more and more they are just plain sucking. On Venus
Doom Valo still remains a tortured soul lyrically, but sonically
the band’s dark tones are fading away.
So is a lot of their energy
and hook-laden choruses. They even take a chance at an acoustic number,
which thankfully I very short. “The Kiss of Dawn” is the
only track that I really dug. I think H.I.M. was much better when they
were on a tiny label overseas and only a select few knew about them."
--George Dionne
out
of 5
REVIEW FOR "DARK
LIGHT (2005)" |
|
KARATE HIGH SCHOOL
The League of Tomorrow
EVO Recordings
2007
"Karate High School’s debut Arcade Rock caught my ear with
its 8-bit & 16 bit video game sounds worked into their pop-rock
compositions. However, it seems that they may have just been a theme
album. On The League of Tomorrow, the group cut back on the video game
tones and adds more progressive elements; which I was a little saddened
to hear. They do manage to pump up the vocal melodies, but sound a
little more emo than their previous effort. If anything, they have
a flair for the longest song titles ever."
--George Dionne
out
of 5 |
|
BLONDE
Eat the Beat CD/DVD [Collectors Edition]
EMI/Capitol
Records
2007
"New Wave legends dig into the vault for a unique release. The
collectors edition of 1979's Eat the Beat is proclaimed the
World's first video album. This concept is quite revolutionary, if
it was still
1979. Today it seems kind of silly. However, when you think about it,
this video album pre-dates MTV. The majority of the material included
on the DVD ranges from concept videos to live performances. It's an
interesting look at the music scene to say the least (it's also a great
way to catch Debbie Harry in her prime).
As for the music, if your
only family with Blondie's radio hits, you're probably going to be
a bit lost. The CD doesn't really contain any major hits, but does
show the band taking some musical chances. Some of the music works,
some of it doesn't. Either way, the DVD portion makes checking out
this collection worth it.
--George Dionne
out
of 5 |
|
ENEMY REMAINS
S/T
Onus Records
2007
"The band founded by ex-Fates Warning drummer Steve Zimmerman
in 2005 combine a mix of their progressive metal roots and the traditional
power metal sound of yesterday and today to form one amazing sound
on their self-titled and self-released 3 song EP.
I loved the alternating gritty and soaring style of vocalist Brian Betterton.
On “Live For Today” the main verses had the grit, while the chorus
had the soaring style. The tempo variations within “Holdin’ On” are
noteworthy and ear catching. The riffs and overall musicianship on “Fallen” were
superb.
This was a great introduction to the band. The 3 songs are superb and I can only
hope that it will be sooner rather than later before I hear a full-length album
with some heavy label support. Yes, the disc was THAT great!"
-- Jay Roberts
out
of 5 |
|
MEGADETH
That One Night: Live in Buenos Aires
Image Entertainment
2007
"Metal legends Megadeth cap off their 2006 touring cycle with
one last show in the place they love the most; Buenos Aires. Frontman
Dave Mustaine has said time and time again that this location holds
a special place in his heart. His sentiment couldn't be more exemplified
than by this phenomenal performance. Although the CD doesn't quite
capture the energy and power that the live DVD does, it still sends
the message that Megadeth are at the top of their game and can delivery
one hell of a show.
There are 21 songs in all on two CDs that span
their 20+ year plus career. Classic standards such as "Skin
of My Teeth," "She Wolf," "Hangar 18," "Symphony
of Destruction,"
"Peace Sells," and "Holy Wars" are complemented
by a handful of gems from their current album at the time The System
Has Failed.
As a die-hard fan, I was pleased to see them resurrect "Angry
Again"
into the live set."
--George Dionne
out
of 5 |
|
MXPX
Secret Weapon
Tooth and Nail Records
2007
"You would think that taking a step back from the majors to the
indie scene again would be a thorn in the side, but MXPX show absolutely
no signs of slowing down. Although I have been sworn to secrecy, I'm
going to reveal the punk rockers 'secret weapon': an onslaught of high
energy rhythms, rapid-fire guitar riffage, and relatable& catchy
lyrical hooks."
--George Dionne
out
of 5 |
|
RICHIE KOTZEN
Into the Black
Frontiers Records
2006
"The ex-Poison guitarist continues to explore the musical landscape
far and away from that glam metal period with the deeply blues influenced
rock and roll found on Into The Black.
Kotzen’s got a nice gritty edge to his singing voice and his musical ability
should be without question as he wrote, arranged, produced and performed the
album by himself.
“Misunderstood” has a hot burning groove to it, while the last track “My
Angel” closes the CD in a much slower fashion. The song still manages to
have a sweet riff towards the end of the track though. The harder rock edged
tracks “You Can’t Save Me” and “Sacred Ground” both
have a flaming hot delivery.
I consider the Poison album Native Tongue the best release the band
ever did. I think it comes as no surprise that it’s the only CD on which Kotzen played
with the band. He’s got a great musical vision and he continues to
unveil and refine it with every successive release. Into The Black is one
beautifully
wonderful step on that continuing musical evolution."
-- Jay Roberts
out
of 5 |
|
YAKUZA
Transmutations
Prosthetic Records
2007
"Yakuza returns with more of the twisted, dark, and progressive
sounds that blew me away on 2006's Samsara.
How can you not be impressed with a metal band that can throw in some
saxophones from
time to time? Transmutations is a darker journey than it's predecessor,
but still packs a punch when it needs to. The only drawback was the
cryptic and faded CD packaging, in which I could not make out the song
titles."
--George Dionne
out
of 5 |
|
PORTUGAL THE MAN
Church Mouth
Fearless Records
2007
"Church Mouth is weak on riffs and heavy on falsetto
vocal melodies. It kind of baffles me why I’ve seen reviews for
it in guitar magazines because the album couldn’t be further
from a ‘guitar
album.’ It seems that the latest trend in the music industry
is to hearken back to the trippy, high pitched, funky harmonics of
seventies stoner rock. Whether it’s successful or not remains
to be seen, but as far as Portugal the Man’s take on it is concerned;
as a vocalist and frontman he captures the ear, but the group itself
drops
the ball with no real memorable progressions. The focus is too strong
on vocals."
--George Dionne
out
of 5 |
|
MAYDAY PARADE
A Lesson in Romantics
Fearless Records
2007
"If you’re like me, you can’t stand the whiney, pop/punk
rock (screamo/emo – whatever you want to call it) that’s
shoved down your throat on the radio and MTV. While Mayday Parade could
be lumped into that pile (mainly the vocals), the group really breaks
away from the same-old-same-old with infectious melodies and smart
(sometimes tongue-in-cheek) lyrics. Give it a few listens and you’ll
no doubt be locked in."
--George Dionne
out
of 5 |
|
SUPERDUDE
Pothead Punk
Ace Records
2007
"Superdude’s claim to fame is that he was part of Andy
Warhol’s entourage. So what? How does this qualify you to be
a musician? I’ll admit that the opening track “Pothead
Punk” is quite catchy, but that’s where it ends. Superdude
continues to show how much of a non-vocalist he is by lazily firing
through nine songs that pretty much describe personalities he met throughout
the 70s club/recreational drug scene or about smoking the herb. The
spoken word track “Superman” is beyond terrible. Check
that, the entire album is beyond terrible. It’s super-crap!"
--George Dionne
out
of 5 |
|
MARGO GURYAN
16 Words [CD Single]
Pure Mint Records
2007
""16 Words" is a clever political commentary piece in the
vein of a 60s protest song. Guryan assembles 16 words from President
Bush’s
2003 State of the Union Address and sets it to music. The particular
words she uses are to emphasize how are government (President Bush
specifically) continues to lie to the American people. I was expecting
one thing before I pressed play, and I was pleasantly surprised with
the final product. Included on the disc is the track “Yes I Am” (a
commentary about Nixon), a video for “16 Words” and notes
by Guryan that explain why she put this all together."
--George Dionne
5 Questions with Margo Guryan out
of 5 |
|
DIET KONG
S/T
Onus Records
2007
"Diet Kong’s music is just as eclectic as his name. This
10 song collection is best described as alternative meets progressive,
meets singer-songwriter. The lyrics and vocal structures are pure pop,
with plenty of sing-along sections. The rhythms can be funky, hard,
and even laid back. It honestly sounds like Diet Kong had a hell-of-a
good time putting this album together. In return, you will have a hell-of-a
fun time listening to it."
--George Dionne
out
of 5 |
|
THE COMPULSIONS
Laughter From Below EP
Slef-Released
2007
"Gritty, raw, and hook-laden blues rock with such addictive properties,
that you’ll be jones’n for more."
--George Dionne
out
of 5 |
|
HEAVENLY
Virus
Locomotive Records
2007
"“The Dark Memories” opens up with some melodic guitar
work that shifts back and forth. The song provides good singing that
flows well with the entire musical work. “Spill Blood or Fire” creates
a good atmosphere throughout the track and is a progressive song in
general. “The Power & Fury” has some awesome backing
keyboard sounds that kind of resemble a dream like presence. “Wasted
Time” has a nice groove to it."
--Derek Carey
5 Questions with Heavenly out
of 5 |
|
CROSSFADE
Falling Away
Columbia Records
2006
"The follow up to the band’s self-titled 2004 debut release
continues the band’s trail of gritty vocals and aggressive guitar
work. Vocalist/guitarist Ed Sloan has some really down and dirty guitar
riffs on display throughout the disc. The opener “Washing The
World Away” features some gruff guitar lines. Bassist/vocalist
Mitch James and drummer James Branham combine with Sloan to form a
heck of a rock trio.
The album features 10 edgy rockers that move from
a midtempo groove to all out driving rhythms. “Already Gone”, “Drown
You Out” and “Breathing Slowly” are superb examples
of the latter while “Invincible” and “Someday” typify
the former.
The 11th track and album closer is the only real misstep in song
selection. “Never
Coming Home” is the lamb coming after the lion (the other 10 tracks). While
the band’s lyrics can be a bit depressing at times, I really think the
band has something going for it and look forward to seeing them continue their
winning ways on their next album."
-- Jay Roberts
out
of 5 |
|
SILVERCHAIR
Young Modern
Eleven: A Music
Company
2007
"When Silverchair debuted here in the U.S., it was as if they
were trying to become the second coming of Nirvana. With their latest
album, it seems that the group is trying to be the second coming of
The Beatles. Fortunately for them, they pull it off with great ease.
Less guitars and more emphasis on piano and vocal melodies is what
sets this album apart from the group’s early beginnings. For
those not in the know, Young Modern really begins where 2002’s
Diorama left off, and takes it to another level."
--George Dionne
out
of 5 |
|
CHRIS CORNELL
Carry On
Suretone Records
2007
"Let’s face it; Cornell’s first solo album was garbage.
Because of that, you instantly want to hate his second solo effort.
Carry On goes beyond the mundane pop schlock that was Euphoria
Morning.
Cornell still comes off as glossed-over rock, but flexes his vocal
pipes hard enough to remind you of his metal roots. Though he never
reaches the energetic heights of his Soundgarden and Audioslave days,
Cornell still manages to wallop you with some powerful music. “Billy
Jean” is by far the worst cover song EVER!"
--George Dionne
out
of 5 |
|
PEAL JAM
Live at the Gorge 05/06 [Box Set]
Rhino Records
2007
"Pearl Jam has always been a fan friendly band. They went head-to-head
with Ticket Master because they thought their fans were getting screwed
on the service fee. They play two, sometimes three hour shows; and
if they are in a city for multiple dates, they never play the same
song twice. They offer up numerous bootlegs of their concerts through
their fan club and website; by-passing the middle-man and retailers.
Now comes the mother of all live box sets.
Peal Jam catalog three complete
concerts on 7 CDs from The Gorge in 2005 & 2006. Included are numerous
greatest hits, unique cover songs, rare material, and previously unreleased
material. I have to give it to Pearl Jam fans though. Anyone that can
sit through 7CDs (or three concerts) of this dreary, un-inspired, boring
music, must be really committed. Since Peal Jam caters to their fans,
I’m sure they won’t be disappointed with this set. Although,
you may need a few uppers to prevent a lack of charisma-induced coma."
--George Dionne
out
of 5 |
|
TRAVELING WILBURYS
The Traveling Wilburys Collection
Rhino Records
2007
"The Beatles’ George Harrison, Electric Light Orchestra’s
Jeff Lynne, Bob Dylan, Roy Orbison, and Tom Petty. Sounds like one
hell of a super group, doesn’t it? Well, it was! Back in 1988
this five some hooked-up to write and perform the kinds of music they
do best. Alone, the five each had their own unique sound. Together,
they brought all those sounds together to take themselves to a higher
plane. It also helped that they were the closet of friends.
Although
they only released two studio albums, the meat-and-potatoes of those
albums can be found here (okay, it’s both albums with bonus tracks). “Handle
with Care” and “End of the Line” were perhaps their
most memorable, but each track falls in line with the Americana sound
that the Wilburys were known for. Two previously unreleased tracks
are included on each disc. Where most bonus tracks are filler and junk,
the ones included here are quite good. Be sure to look for the 3 disc
Deluxe Edition that includes a live DVD performance."
--George Dionne
out
of 5 |
|
THE TRUCKEE BROTHERS
Double Happiness
Populuxe Records
2007
"Double Happiness evokes a lot of the 70s underground alternative
rock with echoed vocals and fuzzy guitars. The vocals duties are split
between the distinct tones of Cady and Peat. When singing alone, each
brings their own stamp to the music. When singing together, especially
trading off with each line or two, it becomes a distraction and outright
annoying."
--George Dionne
out
of 5 |
|
THE WILDBIRDS
Suzanna EP
Pat's Record
Company
2007
"“421” is loaded with crazy U2- like energy. I just
had to keep hitting repeat on my player. “Shake Shake” keeps
the flow going with rhythmic breaks thrown in here and there. “Way
Down Low” starts off with a drumming mistake (or is it), but
then kicks into gear with some great guitar licks and cock-sure vocals. “Suzanna” is
an acoustic, broken-heart ballad. The worst part of this disc is that
it only has 4 songs. I want more Wildbirds! "
--George Dionne
out
of 5 |
|
H.I.M.
And Love Said No: Greatest Hits 1997-2004
Universal Republic
2007
"Finally! I no longer have to pay $30+ for the import version
of this ‘hits’ album that’s been out in Europe for
3 years now. H.I.M. is one of those bands you just have to experience
for yourselves. The first time I heard their brand of goth metal, or
as they like to call it love metal, I was instantly hooked. No other
band (that I know of) sounds quite like they do. The haunting and tortured
vocals of Ville Valo are a perfect match for the down-tuned and dark
rhythms of his backing band.
You know that Valo’s love life is
emotional torture with song titles like “Join Me in Death,” Buried
Alive By Love,” “Heartache Every Moment,” “In
Joy and Sorrow,” “Your Sweet Six Six Six,” Poison
Girl,” and “When Love and Death Embrace.” Nothing,
I mean nothing beats a H.I.M. cover track. “Solitary Man” and “Wicked
Game” are perfect examples. If you are one of the few that have
hesitated to check out this band, now is the time, and this is the
album."
--George Dionne
out
of 5 |
|
VARIOUS ARTISTS
Monterey International Pop Festival
Razor & Tie Records
2007
"The Monterey International Pop Festival was held June 16-18,
1967. The event was put together to raise money for various charities
and quite possible inspired Woodstock years later. It was the first
rock festival of its kind. This two disc collection highlights the
cream of the crop during the three day event. The live recording is
exceptionally clear (which I would question), and showcases the marquee
names at the time, as well as future marquee players. Monterey marks
the American debut of Jimi Hendrix, who is featured with fiery performances
of “The Wind Cries Mary” and “Like a Rolling Stone.” Janis
Joplin (with Big Brother & The Holding Company) makes her major
performance debut with her contributions “Down on Me” and “Ball
in Chain.”
Other heavy hitters include Jefferson Airplane, Otis
Redding, The Who, The Mama’s and the Papas, The Byrds, and Simon & Garfunkle.
The event attracted over 200,000 people & the admission was $1.
What a difference from the corporate events of today, huh? The artists
all worked for free, with the exception of sitar player Ravi Shankar.
He walked away with $3000. This collection is truly a piece of musical
history and compassion when it was all about the music and not the
all mighty dollar."
--George Dionne
out
of 5 |
|
VARIOUS ARTISTS
Hope Floats: Original Motion Picture Soundtrack
Capitol Records
2007
"Capitol Records reaches into their vault to expand the Soundtrack
to the Sandra Bullock/Harry Connick Jr. love story Hope Floats (I assume
an expanded DVD is on the way as well). Sheryl Crow (“In Need”),
The Rolling Stones (“Honest I Do”), and Bryan Adams (“When
You Love Someone”) deliver solid rock ballad performances despite
it not being their A-material. For the most part, the Soundtrack is
a country ballad affair with sprinklings of pop (Barry Manilow) and
R & B (The Temptations). This expanded edition includes six tracks
that were not included in the original release; Barry Manilow – “Daybreak,” The
Temptations – “I Can’t Get Next to You,” Paul
Davis – “Cool Night,” Laura Harding – “Who
Cares Anyway,” and Dave Gruusin – “Justin & Birdie."
--George Dionne
out
of 5 |
|
THE BEACH BOYS
The Warmth of the Sun
Capitol Records
2007
"I know what your thinking, ‘Not another Beach Boys Collection?!’ Yes
folks it’s true. I think this may actually mark their 100th collection
of hits. Between different labels and versions releasing material,
it’s a little tough to tell anyway. Let’s face it; no one
defined the sounds of summer like The Beach Boys in the 60’s.
This collection focuses solely on their ‘beach’ or summer
sounds. Excluded is material from the pinnacle Beach Boys album Pet
Sounds, and probably any other Brian Wilson-penned progressive and
experimental material.
If you grew up during that time, this collection
of 28 songs is sure to take you back to a simpler time. For others
out there it will remind you of your parent’s old record collections.
A lot of you will recall the music from a movie or television commercial.
And then there are others who will say, ‘who are the Beach Boys?’ Shame
on you, by the way. No matter how you slice it, The Beach Boys still
remain a symbol of summer with there care-free songs, beautiful multi-part
vocal harmonies, and relaxing melodies. Every generation should take
the time to soak them in."
--George Dionne
out
of 5 |
|
STEVIE NICKS
Crystal Visions: The Very Best Of
Reprise Records
2007
"Crystal Visions more or less condenses Stevie’s 1998 box
set Enchanted: The Works of Stevie Nicks into a one disc collection.
Even though a three disc collection is shrunken into a one disc collection,
it’s enough material to please the not-so-die hard fan, and even
the hardcore ones that don’t want to haul around all those CDs.
The standard hit material is included; “Edge of Seventeen,” “Stop
Draggin’ My Heart Around,” “Talk to Me,” and “Stand
Back.”
I was also excited to find material that I had actually
forgotten about that really kicked ass in the 80s; “I Can’t
Wait,” “If Anyone Falls in Love,” and “Rooms
on Fire.” Since Stevie’s solo material isn’t as abundant
as her Fleetwood Mac material, she includes some live Mac material
in the form of; “Silver Springs,” “Dreams,” “Rhiannon,” and “Landslide.” To
round out the collection Nicks throws out a few of her own hits live.
The CD/DVD version is by far the best choice, as the DVD includes all
of Nicks’ videos, complete with commentary."
--George Dionne
out
of 5 |
|
ROBERT PLANT
Pictures at Eleven [Remastered & Expanded]
Rhino Records
2007
"The debut solo album from Robert Plant gets the reissue treatment
here. The CD features an introductory essay and two bonus cuts.
Robert Plant is one of the few true legends of the music industry. It’s
just an amazing thing to see him fronting the biggest band of all time and then
when that eminently successful run ends, he reinvents himself as a solo artist
unafraid to try any musical idea that he comes across.
Pictures At Eleven is definitely a musical portrait of an artist in transition
from one stage of his career to another, but even that doesn’t hold Plant
back. The lead track “Burning Down One Side” still stands today as
one of the best sounding tracks he’s produced in his solo career. What
puts this track even higher in my estimation is the fact that Phil Collins performs
the drums. In fact he performs on all but two of the original track listing’s
songs, the now deceased Cozy Powell handles the other two tracks.
The guitar work and general overall wild vibe on “Mystery Title” makes
it a standout for me. The song just bounces all over the musical landscape and
it’s quite the enjoyable ride. “Slow Dancer” gives you the
first glimpses of Plant’s use of Arabic sounds in his music. That is an
influence that has continued throughout his solo material. “Moonlight In
Samosa” has that moody atmospheric sound conjured up by the song title.
I liked “Pledge Pin” as a whole, but I really dug the included saxophone
sound. It really sold the song to me.
I didn’t really care for “Like I’ve Never Been Gone”,
so the inclusion of a live recording of the song alongside the original studio
version did nothing for me.
The album has lots of musical ideas and notions to reel in the listener with
nifty guitar work, pound rhythm section work, and of course the magic of Plant’s
vocals. The best thing is that this was only the beginning. He gets not only
better as the albums progress, but also more important as a musical artist. As
a longtime fan of his solo material I have to say the beginning is always the
best place to start your appreciation of one of the rarest gems in the musical
world."
-- Jay Roberts
out
of 5 |
|
THE HORRORS
Strange House
Loog Records
2007
"This was something I just couldn’t get into. Everything
I have heard about them said they were rock, well when I listened to
them I easily got the idea they were punk. Maybe my ears are bad, I
don’t know but this doesn’t sound like rock to me. The
music is uninteresting and mellow for the most part. I dislike the
vocals on here as well. They are really wimpy. A terrible album in
my eyes. But don’t rely on my opinion, seems every other place
has given them a good review; I don’t see why. It is what it
is though, I have my opinion, they have theirs, and you have yours"
--Derek Carey
out
of 5 |
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TEN
The Twilight Chronicles
Frontiers Records
2006
"I wanted to be able to rave over this album, but I found that
it simply didn’t appeal to me all that much. I enjoyed “The
Chronicles”, “Hallowed Ground”, and “Oblivion” immensely.
The tracks are up-tempo and these are the songs where vocalist Gary
Hughes shines the brightest. The guitar leads and solos from Chris
Francis and John Halliwell are outstanding throughout most of the album.
The problem I had with the album is that the rest of the vocal performance
from
Hughes struck me as remarkably bland. There wasn’t a whole lot of vocal
modulation in his delivery and it made of lot of the vocals just blend together
for me.
The three songs I mentioned above are great, but this CD ends up sounding rather
repetitive after a while."
-- Jay Roberts
out
of 5 |
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THE BAND
The Best Of: A Musical Journey
EMI Music Group
2007
"Fresh off of their box set release, Ronnie Hawkins and company
offer up a condensed version (on a different record label) for those
of you who don’t feel like hauling around the entire set when
you’re on the run. It may not be every song that The Band ever
put out, but you’re getting 19 of their most memorable tracks
including “Who Do You Love” (Ronnie Hawkins & The Hawks), “The
Weight,” and “Stage Fright.” Thrown in for good measure
is a 1970 live track, and a couple of tunes The Band did with Bob Dylan."
--George Dionne
out
of 5 |
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PAULA ABDUL
Greatest Hits: Straight Up!
Virgin/EMI Records
2007
"This updated version of the American Idol judge’s back
catalog is a guilty pleasure that should be consumed by all. Maybe
the reason I think it’s so great is because Paula’s music
was all over the radio and pretty much set the soundtrack for my high
school years. But now that I think about it, it’s probably because
I had a HUGE crush on Paula back in the day. Did you see the videos
for “Cold Hearted Snake” and “My Love is For Real?”
Paula
wasn’t the greatest singer, but she knew what was hot at the
time and ran with it. The music is still enjoyable as it was in the
past, but probably with today’s musical landscape, it is best
enjoyed in small doses. After watching Paula on American Idol (and
her strange behavior), plus seeing her on that Dr. Phil dating special,
I think I might finally have a chance with her."
--George Dionne
out
of 5 |
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SUPER GEEK LEAGUE
Peppermint Rainbows
Self-Released
2007
"If you can get by the corny album cover and ridiculous song
titles, you’re going to find yourself some oddly addictive music.
Super Geek League leaves no genre unturned and somehow makes it work.
It’s a bit too “out there” to put into words. If
you’re bold enough to give them a try, you won’t be disappointed."
--George Dionne
out
of 5 |
|
FIRE BUG
End of the World EP
Buddah Belt Records
2007
"The Los Angeles based quartet’s EP is far too short even
for an EP.
I like what I hear on the first three tracks, it’s got a nice slow burning
rock vibe that increases in intensity as each song progresses.
Vocalist Juliette Tworsey has a phenomenal voice, though the too repetitive title
track doesn’t show off her lyrical ability. The band’s influences
and sound is deeply rooted in the 70’s hard rock sound with that era’s
psychedelic flourishes and some blues thrown into the mix as well. I really like
the use of slide guitar from guitarist Jules Shapiro on “Forever Won’t
Wait.”
The drawback to the album is definitely the length or the lack thereof of the
disc. The four tracks are actually 3 originals and a radio edit version of “End
Of The World.” The running time is just a tad over 15 minutes.
The saving grace to that complaint is the song “Paradise” which is
simply phenomenal. I would buy this on the strength of that track alone.
“Paradise” and “Forever
Won’t Wait” are far and away better tracks lyrically.
The interest in Fire Bug is definitely there for me. The band has a great and
fresh rock vibe that is rooted strongly in substance over flash. I can’t
wait to hear more from the foursome! Oh, and while it can’t be figured
into this review, the group’s MySpace page has three tracks NOT on
this disc."
-- Jay Roberts
out
of 5 |
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SLIDESHOW
S/T
Self-Released
2007
"The British rockers certainly know how to craft a rich musical
landscape. The self-titled 7-track album has outstanding music. A mixture
of influences form their rock and classic rock sound.
Two tracks in particular stand out for me. “Goodbye” and “Time
Away” are far and away the most musically aggressive numbers. The rapid
fire vocal delivery from singer Jason Craig really makes me like what he’s
doing on this type of song. The band’s attacking sound on each track makes
me want to hear more in this vein of songwriting from them.
Sadly, the other five tracks are a bit more sedate and I found the vocals to
be more overly emotive than I would normally prefer to hear. Craig’s voice
on the 5 tracks in question comes off as melodramatics I would expect to hear
from the pathetic modern rock groups inundating US radio these days.
I think if they stuck to the more high energy numbers like “Goodbye” and “Time
Away” the band could really have something. I don’t know if it’s
a coincidence or not but these two songs are the only two that are featured on
their website as well."
-- Jay Roberts
out
of 5 |
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GENIUS
Episode 3: The Final Surprise
Frontiers Records
2007
"The term ‘don’t judge a book (or in this case album)
by its cover’ can be used here, although not in the good
way. When I first saw this CD, the cover design was really cool and
the song titles seemed really interesting and I thought this would
be one epic album. Looks can be deceiving. The album is musically driven
with lyrics providing a story and this being the final chapter of the
entire story. Only problem is the whole thing is just decent. Nothing
is amazing. Nothing is what I thought it would be. Though each song
has its own sound, the entire album gets lost with it all and makes
for an uninteresting listen"
-- Derek Carey
out
of 5 |
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GYPSY CARNS
Gospel Train Coming
Musark Records
2006
"Okay, you can officially call me absolutely gobsmacked. When
I first got this CD to review, I wasn’t all that enthused because
of the gospel music/religious aspect. When I finally put the disc on
and listened, I was blown away by the acoustic delta blues sound and
the unbelievably powerful raspy voice of Carns.
The title track is probably the best song for me on the disc, but each song really
has it’s own life. For me, leaving aside the religious aspect of the lyrics,
I just really appreciated how good the album sounded in all regards.’"
-- Jay Roberts
out
of 5 |
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SENIOR DISCOUNT
There Were Four Who Tried
Self-Released
2006
"I’m always skeptical when I get some local band’s
self-released album. Chances are you’re going to get a horribly
produced piece of crap. I was quite surprised, no shocked, at how great
the latest release by Rhode Island’s Senior Discount was. This
punk rock affair comes at you hard and heavy and never lets up till
the very end. The band also doesn’t take themselves or life too
seriously, as most of their songs will have you rolling on the floor
with laughter, but at the same time saying, ‘that’s so
true.’"
--George Dionne
out
of 5 |
|
THOUGHT CHAMBER
Angular Perceptions
Inside Out Music
2007
"Everything you’d come to expect from a progressive metal
album; technical arrangements, beautiful melodies, sudden shifting
tempos, thought-provoking lyrics, and long (sometimes drawn out) instrumentals.
You may not know Thought Chamber’s mastermind Michael Harris
right now, but this album is sure to make the prog-metal word take
notice."
--George Dionne
out
of 5 |
|
ROBOT GOES HERE
The Byte is in My Blood
Columbia/Legacy Records
2006
"A “punk” rock “singer” and PhD Candidate
at Harvard (do those two even go together) decides to take a bigger
slice of the pie by eliminating the need for a backing band and using
his trusty IBM as his rhythm section. The result is a computer nerd’s
wet dream, but a rock fan’s nightmare.
Essentially the album
is more suited for a dance club or house party, with a cover of AC/DC’s “Back
in Black” being the album’s sole connection to rock. It
may just be the worst cover of that song I’ve ever heard. And
I’ve heard all the sub par versions put out by Bruce Kulick and
Cleopatra Records. Some people have way too much spare time (and money
to burn)."
--George Dionne
ZERO out
of 5 |
|
FAIR WARNING
Brother's Keeper
Frontiers Records
2006
"The melodic rockers have released their first new album in 6
years. I found that I really liked the song “Wasted Time.” It’s
a nice mid tempo track and the vocals are the best set of the entire
CD.
I thought the vocals were a bit over produced in spots, particularly the first
five tracks. This was a shame because I liked Tommy Heart’s singing on
the Soul Doctor debut album.
For me, this album was adequately put together. The music and lyrics are fine,
but I never really found myself truly getting into the disc. It struck me as
just one more melodic rock album from yet another melodic rock band. I guess
it’s the Nickelback-Creed disease of the European melodic rock variety."
-- Jay Roberts
out
of 5 |
|
SMOKE OR FIRE
Sinking Ship
Columbia/Legacy Records
2006
"This is an album of nothing interesting or exciting. The songs
fall into one another and sound the same in my thoughts. I see no sense
of creativity or originality with anything on this album."
-- Derek Carey
out
of 5 |
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TEMPLE OF BRUTALITY
Lethal Agenda
Demoltion Records
2007
"Stet Howland of WASP, David Ellefson of Megadeth, Peter Scheithauer
of Belladonna, and Todd Barnes of 13-A; on paper Temple of Brutality
sounds like a heavy combination. On their debut album Lethal Agenda
you can’t deny that they ARE a heavy combination as powerful
riffs, pounding drums, thumping bass, and furious vocals tear your
eardrums apart.
However, once you feel the burn from the opening track “Lethal
Agenda,” you’ll swear to God that you’re feeling
(and hearing) the same exact burn over and over again until it’s
over. You’re sure to get a kick out of the bonus video that was
apparently shot in someone’s backyard."
-- George Dionne
out
of 5 |
|
VAN MORRISON
At the Movies: Soundtrack Hits
Manhattan/EMI Records
2007
"I have never been a big Van Morrison fan. Well, that’s
not exactly true it seems. After listening to this collection of Morrison’s
movie contributions I realized I know more of his songs than I thought.
I can’t say I listen to them over and over again, but when songs
like “Gloria,” “Baby, Please Don’t Go,” “Moondance,” “Wild
Night,” “Brown Eyed Girl,” “Days Like This,” and “Have
I told You Lately” come on the radio, I’m not exactly changing
the station. I may actually remember a few of these from the movies
that they’re taken from. This may as well have been a greatest
hits collection, because each song is a winner."
-- George Dionne
out
of 5 |
|
JOURNEY
Evolution [Remastered]
Columbia/Legacy Records
2006
"Journey are arguably the kings of 80’s arena rock and
Evolution is packed full of reasons why. “Too Late,” “Lovin’,
Touchin’, Squeezin,’” “City Of The Angels” and “Just
The Same Way” are but a handful of classic Journey tracks on
the disc. It’s always great to listen to the voice of Steve Perry
and the anthemic music from Neal Schon, Ross Valory, Greg Rolie and
Steve Smith. You may know what you are going to get when it comes to
Journey’s music, but they are so good at it, it doesn’t
matter.
The music is great, which makes me wonder why other than remastering the sound,
there’s nothing new included on the disc.
I don’t buy CDs for rare
photos; I buy them for the music. The album would be a great way to introduce
potential new fans to Journey, but longtime fans will surely be disappointed
to find themselves buying the
same
album all over again, remastered or not. The rating for the music is 4 ½ out
of 5, but my dissatisfaction with the lack of new material makes the overall
grade a bit lower."
-- Jay Roberts
out
of 5 |
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THE PHOTO ATLAS
No, Not Me, Never
Stolen Transmission Records
2006
"There’s a sad, sad trend in rock music today. Apparently
if you can write catchy hooks, but can’t sing for shit, you can
get someone to put out your album. Maybe it’s just me, but I
think that a band’s ‘vocalist’ should be able to
carry a tune. I’m tired of these whiney, voice-cracking, and
screaming at the top of my lungs ‘vocalists’ that think
what their doing is singing."
--George Dionne
out
of 5 |
|
THE DOOBIE BROTHERS
The Very Best Of
Rhino Records
2006
"You have to hand it to the folks at Rhino Records. They ALWAYS
deliver the goods when it comes to greatest hits albums. With The Very
Best of the Doobie Brothers you get 33 tracks from the legendary R & B
influenced California rockers. The hits just go on and on with tracks “Listen
to the Music,” “China Groove,” “Takin’ It
to the Streets,” “It Keeps You Runnin’,” “What
a Fool Believes,” and “Minute by Minute.” The list
goes on and on. There’s no doubt these tracks are already burned
into you brain from commercials, radio stations, weddings, office parties,
and even elevators. Whether laying down guitar heavy hooks or pounding
away on the keys with some bluesy soulful music, The Doobie Brothers
always kept it interesting, no matter who was behind the microp | | |
