2006

MONEYBROTHER
They're Building Walls Around Us EP
Burning Heart Records 2006

"Moneybrother really excels on the seventies disco inspired pop-rock tracks, but lacks a little in the straight up pop tracks. Although his thick accent can be problematic at times, he still delivers a nice tone. My favorite track by far is “Bum Fucked (For Sure).” Not so much for the silly title, but the calypso beats and falsetto vocals." (G.D.)

out of 5

VARIOUS ARTISTS
Paint It Black: The Compilation of Rolling Stones Cover Tracks
Virgin Records 2006

"This is not a lame Cleopatra Records collection thrown together hastily for a quick cash in. This collection compiles Stone’s cover tracks spanning five different decades by some of the biggest names in music at the heights of their career. To be fair, a small amount of lesser acts contribute too.

David Bowie, Rod Stewart, Aretha Frankin, Linda Ronstadt, Grand Funk Railroad, and the Ramones are just a few of the heavyweights involved. Most tracks are reworked here and there to most suit the artist, but there’s no denying it’s a Stones classic they are covering. One of the best sounding, and best ideas for a compilation I’ve ever come across." (G.D.)

out of 5

VICTORY
Fuel the Fire: The Best of Victory
Locomotive Records 2006

"Take every heavy metal cliché for song titles, simple but lame lyrics, and tired and retreaded riffs…put them together in one album and you have…Fuel to the Fire by Victory. And this is a best of album!" (G.D.)

out of 5

WETTON * DOWNES
Icon II: Rubicon
Frontiers Records 2006

"The former Asia cohorts team up once again for the sequel to their early 2005 release Icon (read CD review). The second time around isn’t much different from the first. The spiritual theme is still intact. The vocal melodies are superb, especially with the addition of a female vocalist (uncredited) on a couple of tracks. The themes and moods range from upbeat to sorrowful to passionate. Of course most tracks are dominates by Downes’ warm keyboard tones. Wetton and Downs prove once again that you can go home." (G.D.)

out of 5

PLAIN WHITE T'S
Every Second Counts
Hollywood Records 2006

"For their major label debut, the Plain White T’s deliver an album loaded with catchy hooks, relatable lyrics, and smooth rock melodies. Forget all of those trendy bands of the week; Plain White T’s are the real deal with their simple and tried and true formula. I hope these guys get the chance to thrive." (G.D.)

5 Questions with Plain White T's

out of 5

THE BALDWIN BROTHERS
Return of the Golden Rhodes
TVT Records 2006

"It’s not THE Baldwin brothers your thinking about. There’s not even a Baldwin in the group. Which is good, because even the screw-ups in that family wouldn’t want to be caught in this electronic/pop rock disaster. There’s no place for electronica and house music in the rock world." (G.D.)

out of 5

JOHN BIZ
The Happiest Days of My Life
Industrial Park Records 2006

"Clearly the happiest days of John’s life revolve around sex, drugs, and rock and roll. For this husky-voiced rocker, that’s not a bad thing. The raw rhythms and to-the-point lyrics take a little warming up to, but in the end Biz delivers one gritty hard rock album." (G.D.)

out of 5

THE ROCKET SUMMER
The Early Years EP
THe Malitia Group 2006

"The driving force behind the group, 23 year old singer-songwriter Bryce Avary, reaches into his vault to unearth his first demos. Originally pressed when he was just 16 years old, this six song collection displays plenty of guitar and melody driven modern rock. It may be tough for new listeners to swallow as the arrangement and delivery are a little raw, but longtime fans would love to here what the group sounded like in the beginning." (G.D.)

out of 5

VARIOUS ARTISTS
Girls Got Rhythm!
Liquor and Poker Music 2006

"This tribute album featuring all female groups covering some of rock’s most famous (and male) bands could be written off as a gimmick release. I say could be, however, it’s not the case. I didn’t care for three of the tracks on the album, but the other 10 were really good. The three that left me cold were Mistress Of Reality’s “Fairies Wear Boots” (Black Sabbath), “Dog Eat Dog” (AC/DC) by Whole Lotta Rosies and “Sheena Is A Punk Rocker” (The Ramones) by Ramonas.

While I did like Cheap Chick’s cover of Cheap Trick’s “Surrender” the vocal didn’t really capture the essence of the original Robin Zander vocal. The one other note that kind of disturbed me was the Ms. Fits cover of “Last Caress” by The Misfits. For anyone who knows the lyrics, I think you’ll know what I’m talking about. It’s just beyond weird to hear a woman singing the lyrics.

The album’s lead cut is from the AC/DC tribute band Thundherstruck and they do the song “Thunderstruck.” It’s a great tribute to the band and the song. They not only do the song justice but they make it their own. The Iron Maiden’s cover of Maiden’s “Run To The Hills” is spot on. I’ve followed this group because I’m a fan of the drummer Linda McDonald from her earlier times with the band Phantom Blue.

The best song on the disc however is the AC/DC song “Back In Black” as performed by the group Hell’s Belles. This song is one of the most important tracks in rock history, so anyone covering it had better do a damn good job. Hell’s Belles knocks it out of the park.

A gimmick to release a collection of cover songs from some of the most testosterone-laden bands in history as performed by women? I don’t think so. This album proves that not only do “girls got rhythm”; they can rock with the best of them too." (J.R.)

out of 5

PRIMUS
They Can't All Be Zingers
Interscope Records 2006

"With the exception of "Wynona's Big Brown Beaver" and "My Name is Mud, it's true; they can't all be zingers (or in this case-good). Primus were always just a bit too out there. Their long and intricate bass solos, spoken word vocals, and hap-hazard lyrics come from a place and time in music history that I wouldn't mind forgetting. I have always respected Claypool as a bass player, but he's a lot more creative and tolerable with his solo work." (G.D.)

out of 5

THE TRUCKS
S/T
Click Pop Records 2006

"After listening to this, I want to throw myself under one! New wave/techno garbage. " (G.D.)

out of 5

RONNIE WOOD
Anthology: The Essential Crossexion
Virgin Records 2006

"This release may catch a lot of people by surprise, because most people don't realize that the Rolling Stones guitarist had a solo career. This 2-CD collection not only chronicals Wood's blusey classic rock material, but also covers his collaborations with The Birds, The Creation, The Jeff Beck Group, Faces, Rod Stewart, and The Rolling Stones. It doesn't mater if Wood is doing his solo thing or lending a hand to some of his British rocker friends, there's no denying it's his guitar style, songwriting, and influence you listening to. I for one have to check out his work with Faces a little more. What a sound; for him and Stewart. " (G.D.)

out of 5

VAMPIRE MOOSE
Serenade the Samurai
Rotten Records 2006

"Don't be fooled by their rather docile band name, Vampire Moose will sneak up on you with their full-force metal and destroy your senses before you have a chance to put up a fight. You might as well just submit to their power." (G.D.)

out of 5

ME FIRST & THE GIMME GIMMIES
Love Their Country
Fat Wreck Chords 2006

"Strictly a punk rock cover band, The Gimme Gimmies set their sites on the country music scene this time around. Funny thing is I hate country, but I love this album. Some songs I recognized, and others I sort of knew. Either way, the group has managed to find a way to make me appreciate country a little more, and will probably have the same effect on you. Now I've found myself tracking down the originals as well as the band's back catalog." (G.D.)

out of 5

TROUBLE
The Skull [Reissue]
Escapi Music 2006

"The long out-of-print album gets an upgrade with an audio remastering as well as a bonus live performance DVD. With just seven dark, evil, and indulgent tracks, the Chicago metallers set out to establish themselves as the Black Sabbath of the eighties. Although never as popular, Trouble will always have a place in my player when I want to hear that classic 80s metal sound. The DVD gives you a glimpse of the metal scene at the time and racks up the song tally to sixteen." (G.D.)

out of 5

BOURBON CROW
Highway to Hangovers
Horror High Records 2006

"The opening track "Alcohol Express" shows off some funny lyrical work throughout the acoustic song and then the solo in the song is really catchy and well planned out. "A Bed in the Desert" provides a dark acoustic guitar feel to it, but it makes the song even greater by doing that. "Drink till you ain’t Ugly" and "Suck my Dixie" exposes more of the comical lyric work throughout this album and will make you shed a grin and a laugh. "A Dead Body" and "I'm not Hung over" are mainly the boring two out of the bunch. This album was very different seeing as it was all acoustic and country like, and something really new for me being a fan of Wednesday 13 (a.k.a Buck Bourbon on here) who I am used to the horror rock side! All in all, this album was pretty cool." (D.C.)

out of 5

CACTUS
V
Escapi Music 2006

"Thirty-three years after the group’s last studio album, drummer Carmine Appice is back with bassist Tim Bogart and guitarist Jim McCarty for a slamming collection of powerful blues-rock. Original singer Rusty Day died back in 1982, so they recruited former Savoy Brown frontman Jimmy Kunes. Kunes sounds excellent. He’s a vocal powerhouse with a nice blues rasp. He’s even sounds a bit like Ronnie James Dio from the latter’s days in Elf. This is particularly noticeable on the opening track “Doing Time.”

The band indulges in a liberal use of harmonica on the CD, as well as a raging blues-rock rhythm. The sound of the album is tight, but retains a bit of the raw sound so prevalent in most blues based recordings. The best song on the album is “Living For Today.” It’s a fast tempo rocker that showcases the band perfectly. The ending instrumental “Jazzed” is also superb.

This new album from Cactus takes the sound of the best bar band blues you can imagine, combines it with world-class players, and works in a classic rock vibe. The album is a superb slice of blues based hard rock and you’d be hard pressed to find a worthy excuse for passing it up." (J.R.)

out of 5

CLOUDSCAPE
Crimson Skies
Nightmare Records 2006

"Cloudscape is a "new metal" band from Sweden, whose first album was released in early 2005. Musically I thought this was a very good album. These guys definitely have some chops and a good range of rhythm, some interesting musical choices. Definitely a solid metal sound.

Their vocalist is decent but just not right for this kind of music....I'm not excited about Andersson's voice, but it was more that they are combining morfe melodic vocals and lyrics with heavier metal. Just didn't fit right.

If you're a metal head you'll appreciate the sound here. It's a good effort but they need vocal talent to go with the musical side of things. I think if these guys work on the vocal style and lyrics, they could probably be quite decent." (A.M.)

out of 5

SURVIVOR
The Best Of
Legacy Recordings 2006

"The 14 tracks selected to be on this compilation are all solid picks. I may have wanted a couple different tracks but that’s really neither here nor there. The material is broken down with 6 tracks featuring David Bickler on vocals and 8 songs with Jimi Jamison as the lead singer. The three best known soundtrack appearances are included with the group’s all time best known hit “Eye Of The Tiger” and the #2 hit “Burning Heart.” The two tracks were featured on the soundtracks for Rocky III and IV. The other soundtrack appearance of note is one you might’ve forgotten about, “The Moment Of Truth.” It’s from the first Karate Kid movie. It holds the distinction of being the only song on the collection that was not written by the band. The song is good, though there is an overindulgence of sound effects not necessary to making it a good tune.

The packaging material includes some past photos of the lineup at various points in the band’s history and an already out of date mini bio. (This due to the fact that Jimi Jamison is out of the band AGAIN, this time replaced by singer Robin McAuley.)
The CD would give a first time listener a solid start in the melodic rockers history including the magic of the songwriting partnership between keyboardist Jim Peterik and guitarist Frankie Sullivan. For the longtime fans of the band like myself, this release offers absolutely nothing new and feels like a money grab at best.

The song credits on the CD list the material as coming out via Volcano Entertainment back in the 1980’s. This is very misleading. The material was released mainly by Scotti Bros. Records, which through the passage of the last 20 odd years has ended up being absorbed by Volcano. This is something that really should’ve been noted on the packaging.

The rating below takes into account the greatness (5 stars) of the music and the actual worthiness of releasing yet another compilation that stinks of corporate greed and not a desire to actually promote the quality of the music/band. (Zero stars)" (J.R.)

out of 5

ALICE IN CHAINS
The Essential
Columbia Records 2006

"If there was one band that defined the 90s hard rock scene, it was Alice In Chains. You can have your Nirvana, but it was Alice that carried over that metal edge from decade before. With this 2-CD collection, if it was on the radio or on MTV, it's here. Best of all, the songs are chronological." (G.D.)

out of 5

MICHALE GRAVES
Return to Earth
Horror High Records 2006

"The album starts off with "Monster;" a song that incorporates some groovy guitar movement from start to finish.” Creepy Crawly" is the top song on the album, as the catchy drum stat, along with the guitar puts this song right at the top. "We Wait". and "One Moment Away;" I see good intentions put in for these songs but they just didn't come out good. "We Wait" is without a doubt too mellow, and "One Moment Away" will bore the listener and make them press that skip button." (D.C.)

out of 5

LOS BURBANKS
Snake
Infidel Records 2006

"Latin flavored hard rock/punk that keeps the energy and melodies flowing. Snake is sure squeeze you into submission." (G.D.)

out of 5

JOHN LENNON
The US vs. John Lennon Soundtrack
Capitol Records 2006

"The official soundtrack to the documentary that chronicles the ex-Beatles transition from musician to anti-war activist and how the government attempted to silence him. The songs included are some of Lennons most political and peace driven material. You may have to actually take in the movie to understand why each song was chosen. Although there are plenty of familiar songs and fan favorites to be enjoyed if you don't" (G.D.)

out of 5

2CENTS
Lost at Sea
East/West Records 2006

"Though the name sounds stupid as can be, the music is not…ok well most of it is, but there are a few good things here and there. “The Wedding Dress” catches come groovy guitar work within it and strong music all around. The solo in this song is pretty catchy, but nothing spectacular. “Fucked in the Afterlife” provides some good rhythm and one very tight drum fill part.

Now for the bad; “Victims of pop Culture” is just to damn repetitive and is a mundane song in general. “Symptoms for Side Effects” is highly boring with no exciting action or anything. “Crowd Control” starts with some cool guitar but then everything turns bad and the rest of the song is a drag" (D.C.)

out of 5

GREELEY ESTATES
Far From the Lies
Record Collection 2006

"The opening number "The End of All We Know" quickly turns bad with horrible screaming, and the little singing parts here and there are just as worse. The music itself is very depressing and will make you sick. "Too Much CSI" is another pitiful song with some lame ass singing that is annoying and it hurts the listener. The music on "Life is a Garden" just flat out SUCKS! And this song as well contains some of that vocal work that will give you an earache. This is just a bad album in general with nothing good at all on it." (D.C.)

ZERO out of 5

JULIE ROBERTS
Men & Mascara
Mercury Records 2006

"The second album from country singer Julie Roberts once again features her bold and expressive bluesy voice. It’s a really good thing to hear her sing some new material. While I found the songs uniformly decent, I can’t help feel that there was just something missing. Roberts (no relation to this reviewer) never seems to fully take ownership of the lyrics as she sings them. Though she co-wrote 4 of the tracks on this album, the other 8 were co-written by a cadre of outside writers.

In country music, when someone else is writing the songs you are singing, you need to be able to interpret the lyrics as if you wrote them yourself. Trisha Yearwood is a prime example of someone who does this with amazing ease. I thought she did a really good job with “First To Never Know” and “Girl Next Door.” I’ve seen a bunch of interviews and concert performances with Julie Roberts and she is an extremely telegenic presence.

I would love to see her have a long and distinguished career, but in order for that to happen she needs both stronger material and the forceful presence to take the words of others and turn them fully into her own" (J.R.)

out of 5

MIKE KENEALLY BAND
Guitar Therapy Live
Exowax Recordings 2006

"The 14 track live CD from the longtime Frank Zappa collaborator Mike Keneally is an incredible guitar rock CD. However, that’s only good enough for the musical portion of the CD. I’m sorry but they lyrics and vocals were simply uninteresting to me.
Keneally and his bandmates are superbly tight, managing to sound both polished and free flowing experimental in their extended musical interludes. Keneally really shreds on his solos.

Maybe it’s just me, but for a CD that has such a wonderful collection of music on it, they could’ve worked more on making a more palatable set of lyrics to be companion to that music. The only song that had anything for my ears lyrically speaking was the song “Lightning Roy,” and that was just the early part of the song where there was an interesting take on the delivery of the vocals.

I don’t know if this is in every CD, but the review copy I got included a guitar pick." (J.R.)

out of 5

ERIK NORLANDER & FRIENDS
Live in St. Petersburg DVD
Think Tank Media 2006

"Known for his keyboard work with Lana Lane (also his wife), Norlander chronicles his solo work during a 2004 tour stop. If your into long indulgent keyboard instrumentals, then look no further. I found some of them to be a bit long-winded. However, there are some lyrically charged material. Bassist Kelly Keeling chimes in for two tracks and Lana covers a few more.

The concert itself is an intimate affair with nothing too flashy. The band sounds great in both stereo and 5.1 sound. If you want to take the show on the run, Norlander includes an audio disc. It doesn't contain every song, but he adds a few that weren't part of the show. There is a bonus documentary included, and if you've seen the last Lana Lane DVD, you know what to expect." (G.D.)

out of 5

KIDS IN THE WAY
Apparitions of Melody: The Dead Letters Editon
Flicker Records 2006

"Dark, melancoly, modern rock without the whiney vocals and corporate sheen that most modern rock bands on the radio cram down your throat." (G.D.)

out of 5

HAMMERFALL
Threshold
Nuclear Blast Records 2006

"These Swedish power-metallers are not quite as fast as Helloween, not quite as loud as Manowar, not quite as spaced-out as Gamma Ray, and not quite as bizarre as the Dungeons & Dragon themed fair (or is it Lord of the Rings now?). However, Threshold is the perfect balance of thunderous drums, monstrous guitars, enduring melodies, and powerful vocals. This IS power metal!" (G.D.)

out of 5

WARMACHINE
The Beginning of the End
Nightmare Records 2006

"Warmachine were quite popular on the Megadeth Message Boards about four years ago (that's where I first heard them). For years I was baited with killer samples of what was to come. As the years past by, the Canadian metal act finally put together a full-length album (with some help from ex-Megadeth bassist Dave Ellefson - imagine that). After all the wait, after all the hype, it's finally here in my hands. Was it worth it? Not really. They certainly have that classic thrash metal/Bay Area sound nailed down, but Warmachine doesn't really do anything to progress it beyond 1987." (G.D.)

out of 5

STRIKE ANYWHERE
Dead FM
Fat Wreck Chords 2006

"The FM airwaves wouldn't be so dead if they were injected with this commanding collection of politically & social charged punk rock anthems. Wake up radio, this is the music for the repressed rock masses." (G.D.)

out of 5

BROTHERMANDUDE
BMD
Adrenaline Music Group 2006

"Take one part Peter Gabriel, mix it with two parts Dave Matthews Band, and add a dash of Red Hot Chili Peppers and Aerosmith and you've got yourself one damn good Brothermandude. From beginning to end the group has crafted well-written lyrics and compositions that will intrigue even the most stubborn rock critics and fans." (G.D.)

out of 5

GRIDDLE
Klimty Favela
Your Permanent Records 2006

"I think that Griddle's goal was to create a crispy psychedelic style album with erie vocals, dark guitars, and ominous keyboard tones, but they could have at least mapped out their plan before putting it all down on tape. To me it sounds like there are 4 guys standing in a room with the drummer setting the pace, the bass player coming in with whatever he wants, and the guitarist and vocalist doing the same. The album gets a little tighter in the middle, but falls apart again before it's conclusion. " (G.D.)

out of 5

AGAINST ME!
Live in London
Fat Wreck Chords 2006

"52 minutes of humor and politically driven punk rock mayhem. The untouched production makes the listener believe they are truly part of the show. As an added bonus, the group performs a band new song ("Americans Abroad" - how appropriate) and includes a video of their performance of "Problems" (G.D.)

out of 5

RHAPSODY OF FIRE
Triumph of Agony
SPV Records 2006

"I was first introduced to the symphonic power metallers formerly known as Rhapsody (name changed due to copyright issues) on their 2006 live album Live in Canada. I have to say that I am just not that impressed or entertained by their latest studio effort. The group tends to rely more or the theatrical elements rather than focusing on their metal music. The vocals tend to be oversung, or drowned out by the chaos in the background. Rather than enhancing your metal experience with musical theatrical elements, Rhapsody of Fire puts you to sleep with them. The group does stay true to their fantasy themes however." (G.D.)

out of 5

SOUND OF THE BLUE HEART
Beauty?
Hollows Hill Sound Recordings 2006

"Sound of the Blue Heart takes a lot of their sound right from the early David Bowie handbook. Though unlike Bowie, the group focuses a little more on guitar enhancements and runs. The smooth vocal melodies help drive home the somewhat tear-jerking and depressing tales of love and heartbreak." (G.D.)

out of 5

CHROME DIVISION
Doomsday Rock 'N Roll
Nuclear Blast Records 2006

"The album begins with a short, but very melodic intro and then quickly ignites with “Serial Killer”. The song shows off some amazing guitar work which really impressed me. Sure, it may not be all technical solo stuff, but the rhythm is just purely a stand out. “Breathe Easy” reflects some fast paced music which is sure to get your blood pumping. “Hate”, and “Trouble with the Law” are two powerful songs as well. The vocals remind me of Motorhead and the way then music is, no other vocals would fit it!

I am a big fan of the music work with this album, the guitar riffs are easily some of the coolest stuff I have heard. People may think that since Shagrah (vocals for Dimmu Borgir) plays guitar that this band will be sounding like another black metal band, far from it! The only genre to put this band in is what the album title is…Doomsday Rock ‘N Roll" (D.C.)

out of 5

JOURNEY
Greatest Hits [Remastered]
Sony/Legacy 2006

"In the process of remastering the entire Journey back catalog, Legacy decided to remaster their first Greatest Hits album. WHY?! Everybody in the world already has this album (you might as well admit it). You'd have a good argument that it's for the bonus track "When You Love a Woman," but if you don't have the Trial By Fire album, you can't call yourself a Journey fan anyway. There is also more of a selection of hits on The Essential Journey 2 CD collection." (G.D.)

out of 5

NIHILIST
Call Down the Thunder
Nihilist Metal Recordings 2006

" The Carlsbad, California power metal trio play a relentless brand of aggressive heavy metal with attacking guitars and a real screamer in singer/bassist Loren Tipton. While I didn’t care for the vocal performance on the song “Hungry For Blood,” I thought Tipton was quite good delivering the lyrics at a machine gun clip. What made it even better is that the lyrics are actually quite good. Instead of treading the same old ground, the lyrics combined with the delivery sound fresh rather than dated.

There’s a pretty solid cover of the Judas Priest song “Freewheel Burning,” showing the description of their sound being Slayer meets Judas Priest is more than hype. The best song on the album for me was “American Plague.” The track finds the band just pounding out a thrashing attack on the current state of affairs in the U.S. The lyrics include a great turn of phrase with the line “Political Correction spreading infection…The American Plague.”

In the interest of full disclosure, I actually won this CD during a chat the band was doing on an online radio station appearance. I wasn’t really sure what I would think of the band despite having heard a couple of tracks during their interview. While the band isn’t signed to a label (they released this album themselves) if they can turn out more material as strong as this debut it won’t be long before we start hearing some major hype about Nihilist. The album is available for purchase through CD Baby" (J.R.)

out of 5

LOCH VOSTOK
Destruction Time Again!
Escapi Music 2006

"A record with only 2 or 3 good songs is not a good one, and that’s the case here. “Humantix” is the best track on the record. The well-written drum work at the start and the keyboard blending mixes well. It provides for a good listen. “Rebound” is a decent song, but nothing spectacular. All in all, this record seems to be the same stuff, just tweaked a bit. Nothing stand-out and nothing that is appealing. I hoped for a better listen, seeing as I have heard a few good things about Loch Vostok, but that’s not the case here." (D.C.)

5 Questions with Loch Vostok

out of 5

THE BANG-BANGS
Music from the Motion Picture Brothers of the Head
Milan Entertainment 2006

"Soundtrack to the documentary, check that, mocumentary that profiles the underground punk rock legends The Bang-Bangs. Did I mention that their conjoined twins. Anyway, if you’re going to go with a period peace for your mocumentary, you might as well have a soundtrack to mirror it. Although The Bang-Bangs never really existed, this “lost” album is rich with the sounds of the 1970s British underground rock scene." (G.D.)

out of 5

DISSECTION
Maha Kali
Escapi Music 2005

"Not being that big into Dissection, I wasn’t aware of what I would be expecting out of this 2 song CD single. However, once the CD started playing I had a change of heart. The titled track “Maha Kali” supplies the listener with grand guitar harmony and splendid song progression. The track provides for a good opening song and single. Later on in the 6 minute plus song a solo arrives, and although it wasn’t the greatest, it was just right for the song.

The next (and last) song “Unhallowed” launches into killer blast beats and admirable musical action. I am really fond of the vocals as they show off a particular type. Like the song before it, this one too has a solo. I am a fan of this solo more than the other, because this one proves to be more melodic and will make you sit there and go ‘ah..that’s great!" R.I.P. vocalist Jon Nödtveidt (D.C.)

out of 5

TRACEY THORNTON
Pan for Punks: A Steelpan Tribute to the Ramones
Self-Released 2006

"I thought I heard the most unique style cover album when I heard the Nutley Brass cover The Misfits (here), but that’s all changed with this one. Thornton covers the legendary punk pioneers entirely on steel drums. You’re probably scratching your head thinking, “How could that be any good?” You just have to hear it to believe it." (G.D.)

out of 5

ANDY MULLEN
I Wish My Name Was Jack
Self-Released 2006

"I’m not really a fan of folk music, but Mullen’s humorous themes, lyrics, and stories are a refreshing change from the same-old-same-old tales of love and ocean voyages." (G.D.)

out of 5

LOUDLIFE
S/T
Self-Released 2006

"Female fronted Loudlife bring back the spirit of Heart and kick it up a notch with powerful and enduring vocals, meaty riffs, and memorable songs. I heard a band similar to this called Halestorm, but they’re just a small flurry compared to Loudlife." (G.D.)

out of 5

GASOLINE HEART
You Know Who You Are
Mono Vs. Stereo 2006

"My new favorite indie-rock band. Gasoline Heart mix Dave Matthews, Tom Petty, and Peal Jam all into one kick-ass concoction." (G.D.)

out of 5

THE ILLUMINATI
On Borrowed Time
Liquor & Poker Music 2006

"Lots of good music to dance the night away to. If you are a non energetic person such as I am this CD will make you get off your duff, grab your partner, and hit the dance floor! The vocals are too fast paced which would be ok with better production, but here he just sounds like an auctioneer. At least this guy sings so there is some melody to his voice, but without a lyric sheet, I just have no clue as to what he's singing about. I recommend this, as it'll give you energy that you didn't think you had - - and it's heathier than having an energy drink!

Notable tracks: "Sphere of Influence" "Casual Surveillence" "The Jericho Mile" & "Steal Yer Thunder" (H.B.)

out of 5

TOM REYNOLDS
I Hate Myself and Want to Die: The 52 Most Depressing Songs You've Ever Heard
Hyperion Books 2006

"A humorous collection and analysis of some of the most depressing songs released over the last 50 years. Reynolds not only has a knack for breaking down songs to their core, but he also does it in a way that you'll be laughing along with him, even though the songs author's were probably dead serious when they wrote them. Reynolds' breaks the songs down into various categories of depression. The only problem I had with his choice of songs were that they were based around Reynolds' childhood. So unless your a music fanatic, or born around his age range, you may not be that familiar with most of his selections. A great book either way." (G.D.)

out of 5

THIRD EYE BLIND
A Collection
Elektra/Rhino Records 2006

"Is anyone else surprised that there are 19 songs on this hits collection? If you can name 6 songs or more that were released during Third Eye Blind's fifteen minutes of fame, then you can't go wrong picking this up. I must admit that the songs I'm not familiar with are just as good as their commercial stuff. Although, if you're among the many that can't name 6 songs, you can hear "Semi-Charmed Life" on the radio everyday." (G.D.)

out of 5

SUSAN TEDESCHI
Hope and Desire
Verve Forecast 2005

"The blues and soul driven covers album from Susan Tedeschi finds her in fine vocal form covering songs from Ray Charles, The Rolling Stones, Bob Dylan, Otis Redding and others. While she leaves the music to others including guitarists Doyle Bramhall II and her husband, Derek Trucks. This leaves her free to fully express and soar in her bluesy vocal interpretations. Tedeschi aptly manages to straddle the line between the classic blues sound and a decidedly modern spin on both the songs and her vocal delivery.

The majority of the songs are of the slower paced variety, but there’s a couple of great up tempo numbers including the wonderful “Tired Of My Tears.” Her cover of the Stones song “ You Got The Silver” is superb, and I really enjoyed her version of the Iris Dement track “Sweet Forgiveness.”

There are 12 songs on the disc, and there were only two that I didn’t care for. “Evidence” was decent enough but felt a bit bloated. I thought “Follow” was far too wordy and the pace of the song darn near put me to sleep.”
All in all, this is a really fine album from Susan Tedeschi. I’m looking forward to hearing her next batch of original songs, but this is a worthwhile collection of covers." (J.R.)

out of 5

THE STATES
Multiply Not Divide
Self-Released 2005

"If you’re going to whine and churn out the same tired pop-punk/alternative progressions that radio has been shoving down our throats for years, then you may want to divide and not multiply." (G.D.)

out of 5

THE HEAD CAT
Fools Paradise
Rock-a-billy Records 2006

"Motorhead’s Lemmy Kilmister teams up with Stay Cat’s Slim Jim Phantom for a rockabilly side-project. Um, just picture Lemmy singing rockabilly, and that pretty much sums it up. I thought it was going to be disastrous, but it was actually quite surprising and good. You’re grandfather might not like it, but it’s cool to hear a different and softer side of Lemmy." (G.D.)

out of 5

COUNTING CROWS
New Amsterdam: Live at the Heineken Music Hall February 6, 2003
Geffen Records 2006

"Are you kidding me?! It's a great performance and all, but ONE freaking hit or remotely recognizable song ("Hanginaround) out of 15?! They don't even perform "Mr. Jones." Wasn't the idea to have this show in New Amsterdam spawned from the opening line of that song? Would be better off as an internet only release, rather than a Nation-wide one." (G.D.)

out of 5

DEAD TO ME
Cuban Ballerina
Fat Wreck Chords 2006

"So-Cal punk rock with a memorable melodic sheen. Raise you firsts and burn the place down with this one." (G.D.)

out of 5

PET SHOP BOYS
Fundamental
Rhino Records 2006

"You have to excuse my ignorance of the Pet Shop Boys. The only thing I know of them is "West End Girls." I must say that after more than 20 years since hearing them last, the group sounds just like I remember them. The second half of the album title lets you in on the albums lyrical theme. From start to finish Fundamental hits you with superb synth-pop that can be both dark and uplifting. Leave it to the underground masters of this genre to deliver the goods." (G.D.)

out of 5

EVALINE
Postpartum Modesty: A Portrait of Skin EP
Maverick Records 2006

"____sound just like____and every other band being jammed down your throat on the radio. They stole their sound from___who took their sound from____. They whine just like that band____on that major label___records. You can fill in the blanks, and write your own review. You don't even have to use this band's name. They're no different than any other whiney emo band out there. I did like the song "Postpartum Modesty"" (G.D.)

out of 5

RAINBOW
Live in Munich 1977
Eagle Records 2006

"Every line-up of the Richie Blackmore group Rainbow had their own special songs and styles, but it was the Ronnie James Dio fronted version that was the most memorable. This album captured the group at their finest. Dio vocals are thunderous and powerful, and Blackmore is equally as divine. Richie hogs the spotlight from time to time with his endulgent fretwork. Although only eight songs are listed on this double CD set, a lot of them are medlies of some of their most memoriable hits." (G.D.)

out of 5

VARIOUS ARTIST
Sound of Superman
Rhino Records 2006

"Not-so super! First off, this collection has nothing to do with the Superman movie. None of these songs appear in it at all. This is actually a tribute covers album (of D-list bands) of songs written or inspired by the Superman character. I don't know about you, but I really don't see a need for it. On top of that, the songs are either plain or boring. It probably would have been better if they used the original artists, but that would have cost money. Which is really what this slapped together selection is really about." (G.D.)

out of 5

JIM NOIR
Tower Of Love
Barsuk Records Records 2006

"An intoxicating blend of Brian Wilson-like vocals and Beatles-esque back beats. It packs quite a punch in the songwriting department for a mellow album." (G.D.)

out of 5

DIRTY RIG
Rock Did It
Escapi Music 2006

"More of a step back than a new direction as compared to their last effort Blood, Sweat & Beer. It's not that it's a bad record, not at all. It's just that it's different. The band have taken a more unrefined and raw approach to their sound. The still keep their rock wits about them with songs about, chicks, drugs, and beer. I still can't believe that's Kory Clarke from Warrior Soul on vocals. This is not how I remember him. If you want to get down and dirty, Rock Did It is the way to go." (G.D.)

out of 5

CULTURE CLUB
Live in Sydney DVD
Eagle Vision 2006

"If you're over the age of 25, I'd call you a liar if you said you didn't love Culture Club in their hey-day. Live in Sydney captures the group at the height of their popularity with a fifteen song set that mixes longtime favorites with rare gems. the lighting, performance, and production may not be as slick as the DVDs put out today, but it's Boy George's voice that carries the show. Although it's an average show, it's a perfect slice of eighties pop culture." (G.D.)

out of 5

GRAVE DIGGER
25 to Live
Locomotive Records 2006

""Last Supper", "Desert Rose", and "The Grave Dancer" all seem to get the crowd really into it. The songs have somewhat of the same sounding guitar riffs, but that proves to be an advantage since they are really sleek and cool riffs. The vocals are not really reasonable to me. The music would be much better without them. The rest
of the band works well with their instruments, but the vocals fall short. Perhaps Grave Digger's studio albums are are better, but this live CD just didn't cut it for me." (D.C.)

out of 5

APOLLO UP!
Chariots of Fire
Theory 8 Records 2006

"The Nashville based indie rockers undoubtedly have their fans based on the fact that this is the group’s second album. However, you can most definitely NOT count me as one of them. The music had some moments worth listening to. However, there weren’t enough of those moments. If you take that with the irritating vocals Chariots of Fire ends up being one of the most irritating CDs I’ve listened to in quite a while. If you are an indie rock aficionado, I’m sure you’ll like the album. I wouldn’t come close to recommending this album though." (J.R.)

out of 5

MILLIONAIRE
Paradisatic
Pias Records 2006

"You can call it rock, hard rock, or stoner rock. It doesn’t really matter to me. I was thoroughly unimpressed by this CD. The music from the Belgian rock outfit tends to run together with nothing that really differentiates each track from the rest. The vocals are mixed incredibly low and rarely rise that far above the musical background. After I listened to the CD and was preparing to write up my review, I took a look around the Net for what other people had to say in their reviews.

I noticed mostly positive reviews, and I just have to wonder what I’m missing. I guess I’m just expecting something memorable from the music I listen to. Vocals, guitar, bass, and drums should combine to form something better than the sum of their parts. This is not the case here. It’s just an album that feels thrown together to satisfy a lull in the Queens of the Stone Age void, and it’s simply not very good.
" (J.R.)

out of 5

RAGE
Speak of the Dead
Nuclear Blast Records 2006

"The 17th release from the German metallers certainly has the right idea when it comes to musical ideas. Well, the second half of the CD anyway. The first half of the album is an 8 song arc called “Suite Lingua Mortis.” It harkens back to the group’s classically influenced sound on their 1996 CD Lingua Mortis. Unfortunately, I was just not all that impressed with 5 instrumentals and 3 vocal tracks making up the musical piece.

Once you get to the second half of the CD, things do get a bit better. The music is heavier and more riff oriented. I wouldn’t call it brutal, but it won’t be mistaken as anything other than heavy. The two stand out tracks are “Full Moon” and “Kill Your Gods.” If the entirety of the album had been like the 2nd half, I think I’d have enjoyed this album a lot more. While the band is really good musically, I think they should definitely stick to a more heavy sound." (J.R.)

out of 5

ANVIL
Back to Basics
Escapi Music 2006

"I’ve only heard of the ‘legendary’ Canadian metal act Anvil. This was the first album I’ve had a chance to listen to. I was excited when I popped it in my CD player. Once the disc got going…I laughed my ass off! I did enjoy the thrash metal music that the group put forth, but the lyrics are utterly cheesy and lame. I honestly good not stop laughing at the third grade rhyme structure on songs like “Can’t Catch Me:” When you are a cheat / you will be beat / self defeat / If you’re unaware / you best take care / life’s not fair. Come on! It’s not just that song, it’s most of them." (G.D.)

out of 5

FORGET CASSETTES
Salt
Theory 8 Records 2006

"I’d watch out, because they’re going to throw salt right into your bloody ears with their whiney, out of tune vocals and haphazard instrumentation. Almost had me with the heavy riffs, but the mix is just so all over the place." (G.D.)

out of 5

VALIENT THORR
Legend of the World
Allaroundniceguy Music 2006

"Stripped down, bare bones, off-the wall, rock and roll. Vocals can be harsh at times, but it only adds to the edginess. The guitar leads are just phenomenal, but sometimes drown out everything else." (G.D.)

out of 5

GOOD RIDDANCE
My Republic
Fat Wreck Chords 2006

"Ferocious intensity from this punk/hardcore group. It’s so addictive and full of energy that I was pissed it was over in thirty minutes." (G.D.)

out of 5

JOHN WEST
Long Time...No Sing
Frontiers Records 2006

"Longtime John West fans are sure to be pleased at this collection of modern to pop rock songs. Those who know him only by his work with symphonic metallers Royal Hunt may be a bit turned off. Either way, West displays some killer chops and is backed up by the ear-catching guitar and drum attack of Savatage’s Chris Caffery and Jeff Plate." (G.D.)

out of 5

COMMUNIC
Waves of Visual Decay
Nuclear Blast Music 2006

"Norwegian group combines the intensity of metal, the majesty of melodic rock, and the story telling of progressive rock into one mind-blowing experience." (G.D.)

out of 5

SCOTT MOSHER
Deep Horizon
Allaroundniceguy Music 2006

"As a fine artist does with watercolors, Scott Mosher layers his ideas over one another to create just the right kind of ear-catching progressive rock. It's evident that Mosher's music is more about artistry over simplicity and trends. Whether he's belting it out lyrically or indulging in an extended instrumental break, Scott delivers what prog rock fans are looking for." (G.D.)

out of 5

LAST LAUGH
No Regrets
Suburban Noize Records 2006

"“No Regrets,” “At the Top,” and "Leeches" are probably the best songs on the album. Each song has a unique blend to them. The rest of the songs however, tend to follow the same structure. There’s really nothing intriguing about them. The high-pitched screams of vocalist Charley Tobin is really had to listen to, and gets a bit harsh. This album has a few good songs on it, but other than that, you’re not missing anything."" (D.C.)

out of 5

ASTRAL DOORS
Astralism
Locomotive Records 2006

"Astralism (n.) - The appreciation and utter devotion to the powerful metal stylings of Sweden's Astral doors. Devotees are often exposed to jarring and deafening riffs, with monstrous vocals that range in influence from Dio to Michael Sweet (Stryper). Their song titles can be a bit cliche, and the vocalist can over do it here and there, but overall fans will worship." (G.D.)

out of 5

VARIOUS ARTISTS
Scrubs Original Soundtrack Volume 2
Hollywood Records 2006

"One of the funniest shows on television releases another compilation of songs that have appeared on the program. The music on Scrubs can be a little quirky and obscure, but they always match the mood perfectly. If you've seen the show, you know that the writing can be the same way. Tracks by diverse artists such as The Mavericks, Elefant, Tom Mac, Martin Sexton, and Citizen Cope are included. This is a digital release - only at iTunes" (G.D.)

out of 5

BLUE OCTOBER
Foiled
Universal Records 2006

"To say that Blue October’s music is melancholy and dark, is an understatement. Frontman Justin Furstenfeld attacks his emotional demons in such a tone that you truly believe he’s lived his lyrics. A lot of albums of this nature tend to have cracks of light peering through the darkness, but that’s not so for Foiled. Furstenfeld is trapped in his never ending pit of despair. In a weird way Justin’s pain becomes your entertainment, but somehow I don’t think he cares. His music is his therapy, and we can all learn and enjoy a thing or two from it." (G.D.)

Standout tracks: “You Make Me Smile,” “Into the Ocean,” “Hate Me,” “Drilled a Wire Through My Cheek,” “18th Floor Balcony.”

out of 5

(HED) P.E.
Back to Base X
Suburban Noize Records 2006

"First off let me go ahead and say "Novus Ordos Clitoris", and "White Collars" are probably the best songs on the album, and they are not even good. This album is bad. I see no specialty put into this, maybe that’s their style, I don’t know, but nothing appeals to me on the album. Same retreaded riffs, and some ANNOYING vocals. Not to mention, mixing rapping with metal...not a good move. Keep the rapping with the turntables, and let metal be played by actual good musicians" (D.C.)

out of 5

HEART
Love Songs
Epic/Legacy Records 2006

"The classic rock sister act has yet another compilation of their material out on the market. The track listing for this album is as the album title suggests composed entirely of their better known love songs. There’s no real twist in the material here other than the fact that five of the songs are represented by live tracks instead of their original studio recordings. Three of the five live songs come from their performance on the PBS show Soundstage.

There’s nothing wrong with this album. I’m a willing participant in the quest to have all of Heart’s material, but even those of us who are huge fans of the band have to recognize this for the blatant money grab that this album is. The songs used are just fine, but if you aren’t already a fan of the band, I don’t know that this will be the best way to introduce the Wilson sisters to you. Hopefully, Ann and Nancy will now get down to business and record another all new studio album. Enough with the compilations already!" (J.R.)

out of 5

VARIOUS ARTISTS
Pure '80s #1s
Hip-O Records 2006

"If you’re a product of the eighties, or just a fan of the music video era, than this collection will float you’re boat. Eighteen songs, all number one hits, are gathered together on this collection. “Eye of the Tiger,” “Addicted to Love,” “Everybody Wants to Rule the World,” “Every Breath You Take,” “When I See You Smile,” “Down Under,” “All Night Long,” and plenty more are represented here. However, there are lots of number one songs that have been omitted, so I hope this compilation series continues. Then again, if you were a product of the eighties, or just a fan, wouldn’t you already have these songs?" (G.D.)

out of 5

MARSHALL
Pages From the Past: Tome 1
PMP Production/Frontiers Records 2006

"I know that Frontiers was only the distributor for this album, but I have to wonder if anyone at Frontiers bothered to listen (or should I say, attempt to listen) to this album. I thought the instrumentals “Victims Of Science” and “Pentekonter” were pretty good. They were short and sweet, with a nice sense of melody and timing.
Of course there were the other 8 songs on the album, and therein lies the problem. The band has issues with exactly what kind of music they want to play.

They’ve got the high end melodic vocals alongside a female soprano and death metal vocals. The lyrics are a mess on the first song “Mission: Empire” and the music sounds if the band recorded their parts separately with no one knowing what would end up on each song, then just mashing things together to see if they could make it fit into one cohesive whole. They failed. If you leave out the two instrumentals, this is just an abysmal CD." (J.R.)

out of 5

SNOW PATROL
Eyes Open
A & M Records 2006

"Modern rock with a strong focus on melody and well-crafted songwriting. It’s apparent that the group fancies themselves as lovers and not fighters with the inclusion of so many ballads. Snow Patrol prove they can rock out like the rest of them on a few tracks, but ultimately the enduring balladry suits them best." (G.D.)

Standout tracks: “Hands Open,” “You Could Be Happy,” “Make This Go on Forever,” and “Set Fire to the Third Bar."

out of 5

KISKE
S/T
Frontiers Records 2006

"Note to Michael Kiske: No one wants to hear melodic pop rock from you. Sure you have a great voice on this album, but we remember it and appreciate it more from when you were in Helloween. I know you probably want to grow as a musician, but did Steve Perry change his style when he left Journey? Did David Lee Roth change when he left Van Halen?